Amy T. Won: Behind the Art

Photo credit: Amy T. Won

Photo credit: Amy T. Won

AC: Please tell us about your art!

AT: I'm in love with our natural world, and I believe that if we take the time to explore it and look hard enough, there's much amazement and magic to be found. My hope is to create art that are like enchanting windows to the small and big adventures in life.

Photo credit: Amy T. Won

Photo credit: Amy T. Won

I'm currently working on an Explorations series of work, which straddles the line between the real and imagined, between abstract and representational. The current collection is called Journey Through The Seven Seas and is inspired by my own physical and perceived watery adventures. The pieces range from small watercolors on handmade paper framed in shadow boxes to larger acrylics on canvases.

(Display from 'Explorations Part 1: Journey Through the Seven Seas', Amy's traveling art show featuring paintings on handmade paper in vintage and found frames which will be at Artists & Fleas LA Feb 21st and 22nd.  )

(Display from 'Explorations Part 1: Journey Through the Seven Seas', Amy's traveling art show featuring paintings on handmade paper in vintage and found frames which will be at Artists & Fleas LA Feb 21st and 22nd.  )

("Moonrise over Seven Seas", Watercolor, acrylic and casein on handmade paper. )

("Moonrise over Seven Seas", Watercolor, acrylic and casein on handmade paper. )

I just started the second part of Explorations, entitled "Getting Lost" which are larger pieces about plunging into the unknown, getting lost in a world of wonder and the unmapping and unknowing of our inner and outer selves. I'm really excited about this body of work and while I can't show you much, here are a few teasers:

Photo credit: Amy T. Won

Photo credit: Amy T. Won

How do you think art can set the tone for a space or home?

Art is the quickest way to personalize and create character within a space since it can reveal much about the home owners' tastes and what they are drawn to and like to surround themselves with. Choosing the right art, in the right size, can really strengthen an existing room theme and take it to another level of interest and intrigue. It's also one of the most effective ways to set the stage for a desired mood or atmosphere depending on the size and subject, color, texture, medium and choice of display or framing.

Photo credit: Amy T. Won

Photo credit: Amy T. Won

Large pieces of art that take up a significant portion of the wall are like windows into another world or clear statements of style. Smaller pieces of art grouped together in the popular gallery style can show taste range, layer and cultural depth, allowing the home owner to curate a selection of images and objects that tell a story or create a certain mood.

Photo credit: Lonny/Patrick Cline

Photo credit: Lonny/Patrick Cline

Photo credit: William Waldron

Photo credit: William Waldron

What do you think people should look for when purchasing art for their home?

I always think that people should prioritize choosing art that resonates with them rather than just because it suits the color scheme and texture of the space. While the latter is important, selecting art that first means something to you adds a special layer of your own character and personality to your space, making it more interesting and joyful to inhabit. 

Photo credit: Jim Darling

Photo credit: Jim Darling

Think of art as the little reminders of qualities you like to surround yourself with-do you like to come home to cheerful joyous color because you're stuck in a drab cubicle all day? Abstracts in your favorite colors that lift the spirit might be your thing. Do you live in the city and yearn for a window into an enchanted forest as a mini reprieve to your daily life? Then perhaps an oversized painted woods scene or landscape tapestry to adorn the walls. Do you love the whimsy and carefree spirit of childhood and hope to infuse more of that into your life? Choosing naive-style art by your favorite artists would be a wonderful reminder to stay young at heart always.

When choosing art, the most important part is to consider the size of the wall it's going on and what furniture and objects will form the 'vignette' around it. It's always helpful to think of the art wall as a 'story' -what is it saying? How do you want it to feel? What is the mood you are trying to create? Make sure the art is proportional to the wall it's on, breaking rules of scale only if you are confident in the resulting drama.

Photo credit: Mike Kelley

Photo credit: Mike Kelley

Consider color and texture, though it's not necessary to match the art to the furniture and furnishings unless you're trying to design to a particular mood or theme. Consider whether it is framed in glass (usually heavier) and make sure that this would work in your space. Think of different types of art, not just painted ones-try tapestry, area rugs, flat sculptures, maps, masks, vintage book pages and so forth.

Photo credit: Jan Baldwin

Photo credit: Jan Baldwin

What do you suggest people should look for when purchasing original art?

Price is one of the first things people think about when purchasing original art, after deciding if they are drawn to it. There are many artists who offer emerging collector prices on some of their art for those attracted to original art but unsure if they can afford the high prices. These can be studies or experiments that are not in gallery-ready, finished quality. Pieces like these can be a charming addition to your collection, beautiful in the honesty of their imperfection and transparency of process.

Make sure to ask if the art is created on archival materials and what the suggested care for it is. Original watercolors framed in glass should be displayed away from sunlight and moisture. Are the oils or acrylics varnished? Is there a warranty for damaged frames? 

Is the piece signed by the artist? Does it come with a Certificate of Authenticity? Some folks like the extra touch of receiving one as assurance that the piece is what it claims to be.

Shopping for original art is a fun process, let your heart guide you and if an artist's work resonates with you, make sure to stay in touch, their future pieces might appeal as well.

by Anjie Cho


Amy T. Won is the artist, storyteller and enchantment-seeker behind The TreeSpace Studio, where she shares her explorations and painted mementos of our wonder-filled world. You can also find her adventures on Instagram (amytwon) and Facebook (The TreeSpace Studio) or take a peek into her inspirations on Pinterest (Amy Won).


6 ways to get cool with color, without painting

Almost like clockwork at the start of each year, top paint manufacturers debut their new color schemes and trot out their "it" colors. Coral Reef, Springtime Dew, Guildford Green, Pink Ground; so tempting — and sure to perk up a home, especially in the winter doldrums.

Conventional wisdom says paint is the easiest, least expensive quick-change artist in a homeowner's tool box. Problem is, as with much conventional wisdom, it's not quite so simple. "It's a big commitment to paint walls," says New York City architect Anjie Cho. Choosing a color after painting swatches or taping paint chips to a wall, checking them out during day and at night, buying brushes, rollers, drop cloth, primer, sand paper, tape, and finally applying one or two coats of the winning shade obviously takes time.

And then — the color may look different once it covers an entire wall or room because lighting and furnishings affect results. "I often see what I call 'a paint chip gone wrong,'" says San Francisco designer Claudia Juestel, adding, "As a general rule, when applied to four walls, a light color looks lighter and a bright color appears brighter than the small paint chip or swatch."

Of course, you can hire a professional painter or color expert who understands the nuances, but they can be expensive. The new wisdom about paint, in a world where the hot hues you spot on Pinterest one day can leave you with painter's remorse the next: Tread carefully when it comes to trends. "Their appeal may be fleeting," says Juestel. She advises picking a palette — walls and furnishings — that works with your home, amount of light, and personality. "There's no color that's bad or dated, but a combination of colors can appear so. Mauve or blue-gray by themselves are fine, but if you put them together they can scream '80s."

The other new wisdom? If a dose of trend is what you need to make your place feel updated, adding color is still a solid place to start, even if you stick to a low-commitment approach. Here are alternatives to inject 2015 colors without painting, then repainting when new palettes debut:

1. Think artwork. Art is among many design professionals' favorite sources of color. If your budget is tight, Cho suggests making your own masterpiece atop canvas — a solid or abstract, as one client did. Or go online and have a favorite photo printed in a large scale atop canvas. Los Angeles designer Mae Brunken likes to frame wallpaper, usually from Flavor Paper, in a large white museum-style frame in her office, and changes it out regularly. Los Angeles designer Erica Islas used similar white frames to showcase colorful children's artworks on off-white painted walls in clients' living room. She introduced more color with guitars on an opposite wall, sea foam rug underfoot, and blue and green pillows atop a blue sectional.

2. Add greenery and flowers. Greenery and flowers — even a single orchid plant — can inject color.

3. Play up accents. A colorful throw, Sari, pillows, lamps, vases, headboard, towels can all add color, and sometimes texture, says Brunken. Even many kitchen appliance companies now offer their products in a rainbow of hues. Keurig's 2.0 brewer (and a multitude of other products for the kitchen) comes in Pantone's 2015 color of the year, Marsala.

4. Showcase one colorful chair, chaise, or ottoman. It doesn't have to be an expensive sofa or all your seating, but one new upholstered or slipcovered piece can make a difference. Florida designer Holly McCall enlivened her neutral-colored office simply by painting her IKEA chairs with Annie Sloan's Antibes green chalk paint.

5. Judge a book by its jacket. They don't all have to be serious and leather bound, or wrapped in original, maybe, dusty jackets. Brunken likes the idea of covering your books in vivid tones or sophisticated white for a wow background effect. The idea takes time if you do it yourself, but there are companies that do the work for you; one color wrapping them by the foot.

6. Focus on the 5th wall. Chicago designers David Kaufman and Tom Segal begin a blank room's color scheme with the rug choice. "It's the grounding for the design, figuratively and literally," Segal says. "It sets the tone, palette, and from there you can select interesting fabrics." Certain rugs also add a handcrafted, knotted touch, says Christopher Frederick, president of Organic Looms, whose rugs are made in Nepal. For a sleek, hip, almost boutique hotel-style black and white bedroom, Chicago designer Aimee Wertepny went with a rug that's a "neon-electric-teal-vintage-electro-mod pop of color for the otherwise monochromatic palette," she says.

 

Still want to paint?

Here's how to get color with a longer shelf life, from Jackie Jordan of Sherwin-Williams:

• A color of the year is often trendy. You don't have to use it for an entire room, consider it in small doses.

• Pick a color after placing a swatch or panel of it behind a sofa or by the room's trim or floor so you see how it really will look. Go a bit darker rather than lighter. Pick the color one chip down from what you initially thought.

• Also consider neutrals, for a more subtle change. Kilim Beige has been the company's No. 1 color choice for several years; Accessible Beige is a popular newcomer, and Light French Gray is expected to become another classic.

• Easier to go white? Not so fast, since there are so many variations — warm to cool, with pink to blue undertones.

• Don't forget the right finish. Flat for walls and ceilings conceals imperfections, is durable and washable. Trim represents more of a personal choice, but best in satin, semi-gloss or high-gloss, depending on how bold you want to get.

...read full article

by Anjie Cho


Coffee Break with Sabra: How to Get Started Renovating Your New York City Apartment

I'm excited to be featured on Sabra Sasson's "Coffee Break with Sabra!" For this interview, we chatted about what it takes to get a renovation project started in New York City, and how having an architect along for the ride can really be an asset. Check out what we have to say!

Interview transcript:

SS: Welcome to The Coffee Break with Sabra where we answer your burning questions, the questions you didn’t ask, didn’t know to ask or were afraid to ask. We ask them for you. Each week, we bring you another 20 minutes, so that you can get your answers and get back to having a productive and fabulous day. Today, we are here with Anjie Cho. She is the bestselling author of 108 Ways to Create Holistic Spaces, Feng Shui and Green Design for Healing and Organic Homes. Anjie is an architect for clients such as Satya Jewelry and is a sought after expert in the fields of Feng Shui and Green Living. Anjie Cho is a registered architect and certified Feng Shui consultant. As a graduate in architecture from the College of Environmental Design at the University of California Berkeley, she’s been creating beautiful and nourishing environments since 1999. And today, she’ll be speaking with us about how to get started renovating your New York City apartments. Welcome to the program Anjie.

AC: Hi Sabra! Thank you for having me.

Thank you for being here. I think that this is a really fabulous topic to talk about today. I know that when people buy real estate, whether it’s a house or apartment, a lot of times they want to put a little bit of themselves into the place, their own style, maybe through decorations or the right piece of furniture or paint, but sometimes a little bit more drastic measures are taken into account, like structural changes and things like that. So I thought it might be good if you could start out with talking with us about those instances where an architect is needed and maybe point out some nuances where New York City maybe unique to other areas.

Sure, of course. So I’m a licensed architect in New York City, and a lot of times when clients or perspective clients give me a call, they really want to know if they needed an architect. So in New York City, it’s a little bit unique because we have a lot of apartment renovations rather than single family homes. So if you have an apartment, this is geared towards you, and it’s not going to be as relevant if you’re talking about Brooklyn with a single family home or somewhere outside of New York City, so mostly Manhattan. So to look at whether you need an architect, generally, it really actually depends on the requirements of your condo board or your co-op board but technically, legally, New York City would want to have you file for permit with an architect for any time that you move, add or remove walls. So those are the times that you have to have an architect. Now, if you’re just painting your apartment, that you don’t need an architect for. And sometimes, if your co-op board or condo board is more lax, they may not make you file for anything, but technically, legally you’re supposed to file, does that make sense?

Yeah, definitely. Can you clarify little bit more?

Yes. So for instance, I do a lot of apartment combinations, so if you’re combining two apartments, it someone has an apartment and they buy the apartment next door to make a larger apartment, they want to combine them. So you would then be removing a wall and combining the apartments or a lot of times, people want to open up their kitchen to the living room now. If you take out that wall, you generally need to use an architect. There’s also another instance. If you want to move plumbing around, say if you have your kitchen sink on one wall but you want to move it under the window, most building management boards will require you to file that work with an architect. 

So this comes to a point, there’s a difference between a designer and architect. Now, I’m a licensed architect. That means that, just like you Sabra, like with an attorney or as a doctor, I’ve taken exams. I actually took 9 exams. I apprenticed for a number of years, 7 years actually. I have a degree in architecture and I’ve also passed all these exams in order to become a licensed professional in the State of New York. I have to do continuing education. Licensed architects are only people that actually say they’re architects and the only people that can sign off on your drawing. Well, actually, you could get a licensed engineer, a professional engineer, to sign off on your drawings too, but you need a licensed, either a PE or RA, which is a registered architect or professional engineer, to sign off on the drawings to submit to the city for you to get permit to do that work. So that’s when you need an architect.

Now, with a designer, there are no certifications required or licensing required in New York for a designer. So someone could wake up tomorrow and decide they want to be a designer, but in order to the work legally, you need to find a licensed architect. So that’s really important. If you do need to do work with an architect, make sure that the person you’re working with is not misleading you and telling you that they might be an architect when they’re not.

That’s really important. So it sounds like it’s essential, actually, to these projects because you need to have the sign off in order for them to what, be legal?

Yes. So, for instance, most co-op boards won’t even let you do the work without a permit, so you would have to hire a separate architect, if you hired a designer, that could sign off on the project. So you would have to pay extra for another architect to do the work, if you could find an architect that will work with a designer, because usually, there’s a little bit of a conflict between those two parties as well. 

But I also wanted to go back and talk a little bit more about how you know you’ll need an architect. Usually what I tell my clients and perspective clients is to contact your condo or co-op board, and ask for something called the “alteration agreement.” This alteration agreement documents and outlines all the requirements required for you to do any kind of work in your building. Even it doesn’t require an architect, they generally want you to look at the alternation agreement. There might be a decorating agreement as well, if you’re just doing paint, and that tells you all the insurances that are required, and specifics they have required, the hours of work of the building and so forth. That’s also a good opportunity to open up a conversation with either the management, or maybe the super in your building, to say, “Hey, I want to just take down this wall between my kitchen and living room. Do you know if they’re going to make me submit a permit or get a permit for this?” So it’s a good way to start conversations, but it changes with each building. But like I said, technically, if you take out any walls, if you move, remove or add any walls or relocate any plumbing, you are required by the city to do the work, but not all buildings will require that. Some buildings will let you get away with it without getting a permit. The only danger is that, say a neighbor wants to complain, and you don’t have a permit, they can complain. They can ask the DOB, the Department of Buildings, to come and do an inspection, and then you would have to stop work and you would be fined and then you would have to file the work.

So your project can be interrupted if a neighbor complains and you don’t have the proper permit is what you’re saying?

Correct. All work would cease, and you would have to resolve all the issues before you could continue the work.

Interesting. Wow! That would be such a pain.

Yeah. Actually I was working on a project one time where this happened not because they didn’t have a permit…They did have a permit, but they didn’t have the right documentation onsite. You’re required to have the approved plans onsite and, for some reason, an inspector came by the building to visit another site. He stopped by this job site, and the contractor could not find the approved plan so he shut down the building and that was terrible. I literally had to wait outside for the inspector to come back the next day. I waited the whole day. He kept telling me “I’m coming.” He ended up coming like 4:45. I waited the whole day for him to open up the job again.

Wow, wow. So it really could cost a lot of money if you don’t have the right paperwork and the right documents in place and complying with that rule of having the plans on the premises where doing the work.

Exactly.

Wow. So how does one go about finding or selecting an architect or someone to manage the project?

Well, my suggestion is to always ask first around. Just like for a doctor or a dentist or an attorney, ask for referrals. Talk to your friends or anyone that’s done a renovation recently and ask around. You can also when you ask your management for the alteration agreement, ask them, “Are there any architects that you like working with in the building?” That’s going to give you a little bit of an edge, and they’ll be familiar at the space. Of course, I’m an architect and I’m also available too. Once you’ve got 1 or 2 or, 3 maybe, that you’re looking at, I would give them a call and talk to them. Tell them about your project and see what their availability is. Number one, see if you get along with them, because you’re going to be working closely with this person, and I get a lot of people who ask me, “How much is this going to cost?” You have to understand, it’s hard for an architect to give you an estimate on their work if you don’t know what work you’re doing. So be clear about what scope you want, how much involvement you want with your architect, and talk to them too. An architect could hand hold you through the whole process, or they could be more hands off and just help you with the design or help you get the filing done. So really be clear about how much you want, and also be clear about your budget. Tell them what your budget is for construction, because that’s going to give them a good estimate on what their fees are. Generally, I think architects in New York charge between 10% and 20% of your construction cost, but that depends on how much hand holding you need during the process. An architect could come to your job site every week and check everything out, or they could not come at all, and you could just take over. So be clear about or think about your options on how much you want. What’s your budget? Think about if you can afford an architect and how much hand holding and involvement you want from them.

So let me ask you, so in terms of the architect role, it sounds like there can be a wide range of what the responsibilities are for the architect, and it sounds like it also could be more than just helping with the design of the project, as you called it.

Yes. If I was going to do a full service contract with someone, how we would start is we would do a conceptual design together, where I would meet with them and talk to them about their needs, look at how they live, what their requirements are, what their budget is and their scheduling is. Then we can walk through some conceptual design ideas. 

For instance, I just finished an apartment combination a few months ago, and with this client, we did a full service contract. So we sat down for a few meetings and found trace paper and pens and paper and really looked at her options on how to lay out the space. Tthen I proceeded with putting together what’s required for the permit drawings to get that started, because the process with the DOB takes 4 – 6 weeks, not including the time it takes to get all the signatures from management and so forth. So we got that started, and then I helped her select contractors. So we picked 3 contractors where we did a walkthrough with a good set of bid documents, which is really important too, because as an architect can provide you with bid documents, which is a set of drawings that outlines the scope of work graphically and with text. So when you walk through with the contractor without an architect, what happens is that each contractor will say, “Well, what about this, what about this, what about this?” They’re trying to be helpful. So at the end of the day, you end up with prices from three different contractors, and they’re not pricing the same thing because 1, the conversation may have change with each visit, because they have different suggestions. Number two, there are no documents stating what is the scope of work that clearly states that these are the things you’re going to purchase. You may be thinking you want to get this really cool door, but they’re going to price the cheapest things, because when they competitively bid something, they’re going to price the most competitively priced item. So at the end of the day, the price can be like a moving target. An architect can help you get a firm price. For the most part, all of my projects, we bid it out, devise some of the drawings and competitively bid it out. We include my drawings as part of the contract document, and there are almost never any change orders, which is a change in price, so you know what you’re getting into. 

And then other things that I could do is, like I said, I could do a weekly site visit where I work with the contractor to work out any design problems that occur or design issues that occur during the project. I also can help the client design the kitchen, help them layout the kitchen, bathrooms, floor tiles, what to look for. There’s so many things I can do, and then I also review payment requisitions too. You don’t want to really pay a contractor for more than what they’ve done in the case if they go out of business. You want to be able to walk away from a general contractor and still finish your work without losing any money. So I review payment requisitions and make sure that you’re good to pay it without overpaying. Because a lot of people like clients end up thinking, “Oh, we’re done,” and then they pay them all the money, but then there are punch list things, which are little small items that the contractors fix, but if you pay them all their money, they have no incentive to come back. So I advise on payment, I advise on what needs to be done, what’s typical, what’s not typical, there’s a lot, and we end up really actually saving the owners money.

Wow. That sounds amazing. All of this that you’ve described, you gave such really wonderful advice, because, you know the expression, you’ve got to compare apples to apples and oranges to oranges. You just gave the whole example. If you’re bringing in several contractors then the conversation changes. They’re not really comparing Project X to Project X. They’re comparing Project X, which has now been tweaked by the contractor, so that’s an amazing service that you offer to help people to understand what they’re actually getting a quote for to make sure that it’s all for the same project.

Exactly. At the bare minimum, I always, almost every client that I work with, I at least do the bid documents for them to make sure that they get an apples to apples comparison between the contractors, as well as my opinion on the contractor and my advice. Also, like I said, those documents, those bid document drawings go in as part of the contract documents in the contract that you sign with the GC, and in my drawings, I have a lot of notes, general notes, that cover things like, for instance, you may think you’re going to get your paint included, but then they say, “We only included that you get the ready-mix white paint.” So you think, “No, I don’t want to pay extra to get blue paint.” Little things like that. Also defining, “You need primer, plus 2 coats of Benjamin Moore paint in something other than ready-mix colors.” Things like that, that I know about, but the average home owner won’t know about. So this way you can cover yourself, make sure you get the best products. The architect really is a client’s rep, so we watch out for the client.

That’s awesome. In terms of these projects, if somebody wants to make a renovation, how would you say is the first step? Is the first step looking at the alteration agreement and then looking for an architect, if it’s necessary or required by the board? Where would somebody start? What would be the first step?

I think the first step would be to talk to your board or talk to your management or your super. If you’re close with your super in the building and he’s very involved, just ask the super, because he usually knows everything that’s going on. Let them know, “Oh, we’re thinking of doing a little bit of work,” and ask him what he thinks the process is for you, and then you can always reach out to your management and get the alteration agreement. Then ask around for architects and find a few that you want to reach out to, and give them a call or email them, and just talk to them on the phone. You could send them a plan, if you have a plan of your apartment, and just start a conversation going.

Fantastic. So I wanted to just quickly ask if you could tell our listeners how they can reach you if they have any questions about their upcoming projects and if you have any final words for us.

Well, you can reach me through my website. It’s www.anjiecho.com, and that’s spelled A – N – J – I – E – C – H – O.com, and any perspective clients can always call me directly. My phone number is on the website, or email me directly. That’s another thing that you should look at with the architect, too. You might want to see if you’re actually going to be talking to the architect throughout the process or if they have a bigger firm and you’re going to be talking to a project manager or someone lower level. I know, I basically do all the design, and I have freelancers and some staff and interns that help me, but I am the one designing. I’m the one who’s contacting the client all the time, and I also am available. I always respond within 24 hours, and that’s something that you should ask. How long will it take you to respond to emails, and will I be working with you? Maybe you don’t mind if you’re working with a project manager, or maybe you really want to work with the architect, but in any case, I’ll respond to all the emails and I’m the main contact with all my clients, so anyone can reach out to me with any questions.

Fantastic. And I feel that anyone who is considering renovation in their place should definitely consider reaching out to you, because you’re very knowledgeable and you have so much experience, and you’re really great to talk to, so I think working with you would probably be really easy.

That’s what my clients say. That’s another thing too! Sorry, one more thing. You can also ask the architects you talk to provide you with some references that you can call too. That’s really important.

That’s a great point, probably with anybody that you work with. You might want to compare and find out what the experience was with other clients that they have worked with.

Absolutely.

Fabulous. Thank you so much Anjie. Thank you for being here.

You’re welcome! Thank you so much, Sabra. It’s always so much fun. We always have so much to talk about.

Yes we do. There’s always really interesting information and fascinating stories that you share. So I want to thank you again for joining us this week and join us again next week during our weekly Coffee Break with Sabra.

by Anjie Cho